Language-Based AI: The Photoshop of Knowledge Work

Adobe stock. Seemed only fair.

All analogies are flawed, but some are useful.

Language-based AI is like Photoshop for the rest of us. 🖥️💃⚡

Hear me out… (less than 2-minute read)

In the world of graphic design, there was a time when only the most skilled designers could create high-quality visuals. It required many years of training and was a time-consuming manual craft.

But then, a tool emerged that changed everything — Photoshop. Suddenly, everyone with a computer could create stunning graphics, and the speed of production increased exponentially. This tool democratised the craft of design, making it accessible to the masses.

Adobe’s Creative Cloud approached 30 million paid subscribers last December. 🤯

However, despite this democratisation, not all designers were suddenly equal, nor will they ever be. Just as it is with many types of skills and tools — equal access doesn’t guarantee equal performance, let alone greatness.

But wait, there’s more to this analogy. 🤓

Photoshop was more than just a tool for making graphics. It also enabled designers to experiment with new techniques (that in the wrong hands scream “photoshop”), create unique styles, and push the boundaries of what was possible in design. And they still use real-world materials and inspiration.

Do designers have to keep up with the evolution of Photoshop? Most of them do. Or you can find your comfort zone and stay there. But unless you’re amazing, it comes at a price. Or you can decide you’re a 100% old-school craft artisan or let someone else import your work into Photoshop. There are implications for that too.

The arrival of AI in knowledge work is like Photoshop for the rest of us. AI is transforming the way knowledge workers operate, automating tasks we didn’t think could be automated, speeding things up exponentially, and providing new possibilities previously impossible.

But like with Photoshop, AI still requires human expertise to use effectively.

You are the designer, not AI.

Education, talent, and hard work still count. Hard work beats talent sometimes, but only up to a degree.

The power of AI lies in the hands of those willing to keep learning and adapting to the technology. But just because you have access to AI tools doesn’t make you a master of your field.

And downloading a pirated copy of Photoshop doesn’t make your nephew a top-tier graphic designer.

But maybe he could help you with that lost dog ad or retouch your dating photos.

Speaking of which, have you tried using it for job applications? It’s a game-changer. 😅

Finally, word processors that can actually process words.

But that’s another analogy…

The tensions of digital brand identities

tensionsVisual design is a vibrant, ever-evolving world. It always combines timeless principles with new tools and changing fashions. Contemporary design operates within a global culture that has been getting increasingly visual for over a century since the early days of mass media.

Brand identities, specifically, now spend a large part of their lives in digital environments. These environments offer both opportunities and challenges, but are we really seeing the amount of innovation we’d expect? The kind we’ve seen in product design or interface design. What are the key factors shaping brand identities in digital environments? Continue reading

Google’s rebrand and the four forces affecting brand identities in digital environments

Google's new logo and some core identity elementsThe recent launch of Google’s brand identity evolution brings back to light questions around the impact of digital environments on brand identities.

Visual design is a vibrant, ever evolving world. It always combines timeless principles with new tools and changing fashions. Contemporary design operates within a global culture. One that has been getting increasingly visual for over a century since the early days of mass media.

Brand identities, specifically, now spend a large part of their lives in digital environments. These environments offer both opportunities and challenges, but are we really seeing the amount of innovation we’d expect? The kind we’ve seen in product design or interface design. What are the key factors shaping brand identities in digital environments? Continue reading

Don’t fall into the creative industry’s well curve

I stumbled across an old Dan Pink post, referring to a yet older article of his in wired, talking about well curves.

This is a recurring pattern in many industries, where it replaces the more familiar bell curve. A simple example will be the fact that while big companies are getting bigger, we now have new small companies which are smaller than companies ever were.

It his post, Pink links two news items showing how the middle tier of the legal services industry deteriorates. On the low end – people will just get basic services online, which started with simple contracts, but quickly progressed into more complex services like divorce agreements. All for record-breaking low prices. On the other end of the well you get the big offices charging record-breaking high prices for high-end, bespoke services.

If you’re a law firm that used to make a lot of money out of divorce contracts but can’t justify a price premium any more – you’ll be falling into the well…

Make no mistake – this is happening in design and across the creative industry .

Continue reading