Language-Based AI: The Photoshop of Knowledge Work

Adobe stock. Seemed only fair.

All analogies are flawed, but some are useful.

Language-based AI is like Photoshop for the rest of us. 🖥️💃⚡

Hear me out… (less than 2-minute read)

In the world of graphic design, there was a time when only the most skilled designers could create high-quality visuals. It required many years of training and was a time-consuming manual craft.

But then, a tool emerged that changed everything — Photoshop. Suddenly, everyone with a computer could create stunning graphics, and the speed of production increased exponentially. This tool democratised the craft of design, making it accessible to the masses.

Adobe’s Creative Cloud approached 30 million paid subscribers last December. 🤯

However, despite this democratisation, not all designers were suddenly equal, nor will they ever be. Just as it is with many types of skills and tools — equal access doesn’t guarantee equal performance, let alone greatness.

But wait, there’s more to this analogy. 🤓

Photoshop was more than just a tool for making graphics. It also enabled designers to experiment with new techniques (that in the wrong hands scream “photoshop”), create unique styles, and push the boundaries of what was possible in design. And they still use real-world materials and inspiration.

Do designers have to keep up with the evolution of Photoshop? Most of them do. Or you can find your comfort zone and stay there. But unless you’re amazing, it comes at a price. Or you can decide you’re a 100% old-school craft artisan or let someone else import your work into Photoshop. There are implications for that too.

The arrival of AI in knowledge work is like Photoshop for the rest of us. AI is transforming the way knowledge workers operate, automating tasks we didn’t think could be automated, speeding things up exponentially, and providing new possibilities previously impossible.

But like with Photoshop, AI still requires human expertise to use effectively.

You are the designer, not AI.

Education, talent, and hard work still count. Hard work beats talent sometimes, but only up to a degree.

The power of AI lies in the hands of those willing to keep learning and adapting to the technology. But just because you have access to AI tools doesn’t make you a master of your field.

And downloading a pirated copy of Photoshop doesn’t make your nephew a top-tier graphic designer.

But maybe he could help you with that lost dog ad or retouch your dating photos.

Speaking of which, have you tried using it for job applications? It’s a game-changer. 😅

Finally, word processors that can actually process words.

But that’s another analogy…

Move complete

I moved this blog from an independently hosted server to WordPress.com.

Despite my best intentions and frequent WordPress updates, malicious code kept making its way into the template – knocking the blog off the air and wrecking havoc on my search engine results.

Some recent comments seem to have been lost in the process. Apologies.

Other than that – we resume our normal infrequent missives. If you crave more – don’t forget the Twitter and Facebook feeds, which often point to other publications before they are cross-posted here.

Poetry for these Facebooked times

(the Hebrew version after the fold)

I lost my identity card /Yehuda Amichai

I lost my identity card.
I have to write out my curriculum vitae
all over again for many offices, one copy to God
and one to the devil. I remember
the photo taken thirty-three years ago
at a wind-scorched junction in the Negev.
My eyes were prophets then, but my body had no idea
what was happening to it or where it belonged.

You often say, This is the place,
This happened right here, but it’s not the place,
you just think so and live in error,
an error whose eternity is greater
than the eternity of truth.

As the years go by, my life keeps filling up with names
like abandoned cemeteries
or like an absurd history class
or a telephone book in a foreign city.

And death is when someone keeps calling you
and calling you
and you no longer turn around to see
who it is

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Some thoughts on the significance of lip-syncing (miming) to music

The most successful Israeli viral video of all times (so far, and probably by far), is Tasha’s lip-sync of “Hey” by The Pixies . This video received about 30,170,950 million views, and counting. There probably isn’t an Israeli TV show watched by so many in history, a film or a book seem an unfair comparison.

Lip-syncing was one of the genres which indicated the rise of YouTube and rising dominance of user-created video content. But why did so many people find it engaging as viewers or performers?

On a semiotic level, I find lip-synching fascinating, as it emerges as such prominent “sign of the times”. So this is my go at some “history of the present”…

Lip-syncing seems to me like the child of karaoke, it is the next step in a series of social activities centred around music. Additionally, both of them are socially acceptable ego-trips. Before both, we had sing-songs, with people coming together to sing in a group (The T-mobile singing flash-mob campaign looks more like a mass karaoke than a traditional sing-song).

With karaoke, the original performance remains the central subject of the performance. The performer becomes bigger as she connects with the original cultural artefact. Simply: I sing Bowie’s “let’s dance”, friends and strangers cheer, and for a moment – I touch glory.
The original self melts away, I’m now a vehicle for the song, and my gestures signify the original’s concept of stardom. I’m a prophet and my god is the original pop-culture artefact.
Many karaoke moments are compromised of people getting together to celebrate their mutual cultural history, performing the anthems of their youth, whilst celebrating their chance at feeling the kind of attention saved for pop-icons.

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I’m a model for Wired magazine!

I can’t believe I missed that. The things that happen when your pictures are under a CC license…

Here is me, modelling my kidney stones for Wired. Maybe I should release the stones themselves under a creative commons license, maybe they can be put to good use somewhere.

 

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P.S. I’ve gone back to writing silly stuff on twitter. Check it out.